It is Dimmesdale who uses his rhetorical mastery to talk Hester into talking him into eloping. This flitting cheerfulness was always at the further extremity of some long vista through the forest. Shadow is an already dark object, by adding the work dark; it gives a heavier connotation of negativity that the readers are supposed to feel about Hester, that she is a terrible person. While entering the woods, the sunlight spots start to disappear as Hester approaches them. But there was time enough yet for little Pearl! Just as Hester and Dimmesdale are conversing about their escape to restart their lives with Pearl, Dimmesdale begins to believe in happy endings and his concern for what society desires dissolves for a moment in the woods.
Almost everything is a metaphor, even the smallest things that anyone could think of. And then he sets his mark on their bosoms! As time goes by and Dimmesdale becomes more frail under the constant torture of Chillingworth, the community worries that their minister is losing a battle with the devil himself. The forest is a place where freedom can be established. She wanted—what some people want throughout life—a grief that should deeply touch her, and thus humanize and make her capable of sympathy. When her elf—child had departed, Hester Prynne made a step or two towards the track that led through the forest, but still remained under the deep shadow of the trees.
The feelings of the lovers, weighed down by guilt, are reflected in the darkness of nature. As Hester and Pearl are leaving governor Bellinghams estate they are confronted by mistress Hibbins who explains that the witches are meeting in the forest, and she then invites Hester to become more deeply involved with her evil ways. Towards her mother, too, Pearl's errand as a messenger of anguish was all fulfilled. Hester's choice to live on the border of society and nature represents her internal conflict: she can't thrive entirely within the constraints of Puritanism, but because of her attachment to society and to Dimmesdale, she also can't flee. When Dimmesdale leaves the forest with his escape plan in mind, he is tempted to sin on numerous occasions during his journey back to the village. In Nathaniel Hawthorne's, The Scarlet Letter, life centers on a rigid Puritan society which does not allow open self-expression, so the characters have to seek alternate means in order to relieve their personal anguishes and desires. Chapter Fourteen: Hester and the Physician Summary Hester sends Pearl away for a moment and approaches Chillingworth.
In the end, the significance of the forest in The Scarlet Letter is immense. In simple terms, if you do something bad, there will be a negative consequence. Here, nobody watches to report misbehavior, as they do in the settlement. Prior to this, their past communication for the most part has been minimal and their relationship hidden. Rather than having her youthful good looks, she now seems more like a shell of a human being. Pearl is the strongest of these allegorical images because she is nearly all symbol, little reality.
Continually, indeed, as it stole onward, the streamlet kept up a babble, kind, quiet, soothing, but melancholy, like the voice of a young child that was spending its infancy without playfulness, and knew not how to be merry among sad acquaintance and events of sombre hue. Hester then asks Pearl if she knows why her mother wears the letter. And that ugly tempered lady, old Mistress Hibbins, was one. For several days, however, she vainly sought an opportunity of addressing him in some of the meditative walks which she knew him to be in the habit of taking, along the shores of the peninsula, or on the wooded hills of the neighboring country. The light is a symbol of purity and truth. One of Pearls favorite activities is playing with the flowers and trees. The most obvious and renowned, as it is in the title, is the scarlet letter Hester wears upon her breast.
She is the scarlet letter in the flesh, a reminder of Hester's sin. Every human being needs the opportunity to express how he or she truly feels, otherwise, the emotion builds up until they become volatile. She needs to meet him in order to warn him about who Chillingworth really is. I would very gladly go! In the the symbolizes much more than one might imagine. The story of the Black Man represents a sense of superstition and true temptation in the novel. But, mother, tell me now! However, the forest is also a moral wilderness that Hester finds herself in once she is forced to wear the sign of her guilt. The forest, in the end, brings out the natural individuality of the characters of Pearl, Hester, and Dimmesdale.
In the forest, Pearl can be as bright and joyful as she wishes because the forest acknowledges her for who she is- a moody, curious, care-free, innocent, and intuitive child who also happens to be a social outcast. Darkness is always associated with Chillingworth. Here in the forest, she is free and in harmony with nature. To Pearl the forest is like a best friend. But why does he not wear it outside his bosom, as thou dost, mother? This would be what life would feel like living a life emotionally in the dark. It treats her as if she were one of its own.
She has a husband, and tells the colonists of Boston he will be arriving to be with her soon. So brief a journey would bring thee from a world where thou hast been most wretched, to one where thou mayest still be happy! In this the forest represents a thing of truth, weather it be good or bad. It will not flee from me, for I wear nothing on my chest yet! Death was too definite an object to be wished for or avoided. She further asks why he does not wear his mark on the outside of his clothing like her mother does. Black and gray are colors associated with the Puritans, gloom, death, sin, and the narrow path of righteousness through the forest of sin. Is there such a Black Man? Her mother drew almost close enough to step into the magic circle too.
At one point of the story the Brooke represents a wall. Little Pearl—who was as greatly pleased with the gleaming armour as she had been with the glittering frontispiece of the house—spent some time looking into the polished mirror of the breastplate. Here it was wofully visible, in this intense seclusion of the forest, which of itself would have been a heavy trial to the spirits. Here the sun shines on Pearl, and she absorbs and keeps it. They sat down on a luxurious pile of moss, which had once been a gigantic pine, with its roots and trunk in the shade of the forest and its head high in the upper atmosphere. Before Hester can answer, Dimmesdale comes upon them. However, as her punishment continues, Hester no longer remained the woman she was before.