Critical Analysis of Sunflower Sutra: The poem is based on the crucial nature of society that is so easily reflected by the citizens that reside in it. The soldier recalled his past experiences with the Hitler youth group and his volunteering for army duty. I believe it would be a tough situation to think about and have a response to right then and there. Like his other poems, Ginsberg leaves the reader with a glimpse of hope before opening up about the implications of the modern world. The tone that Ginsberg ends this poem with is that of a tone and theme which is at the core of the belief system of the beats. He asks the dead sunflower when did it decide it was the specter and shade of a once powerful American locomotive. Jack Kerouac sat beside me on a busted rusty iron pole, companion, we thought the same thoughts of the soul, bleak and blue and sad-eyed, surrounded by the gnarled steel roots of trees of machinery.
Yet, Ginsberg sees the flower as persevering in the face of such hardships and he relates to such action. Before I heard Ginsberg read the poem, I wondered if perhaps the perfectly sweet ending and recovery was supposed to be ironic. Refer to the color-coded version of the poem below to see the sections and diction categories we discussed during-reading. Write an essay in which you discuss whether or not the images in Howl are obscene. Spurned by purists as a drugged-out degenerate, but admired by contemporaries as a libertarian crusader, he earned respect from a sprinkling of the literary in-crowd, including poet William Carlos Williams.
Yet, even more surprising was that he didn't stop there. Table of Contents I The Sunflower A. Working with an enlarged version on the SmartBoard, the teacher modeled the annotation process to ensure quality note-taking. Ginsberg's correspondence with Burroughs appeared as The Yage Letters 1963. It is a symbol of something that has an intrinsic value, which is capable of great endurance in the face of a harsh environment Davis et al. As Simon Wiesenthal explains, he was moved. I walked on the banks of the tincan banana dock and sat down under the huge shade of a Southern Pacific locomotive to look for the sunset over the box house hills and cry.
I walked on the banks of the tincan banana dock and sat down under the huge shade of a Southern Pacific locomotive to look at the sunset over the box house hills and cry. A perfect beauty of a sunflower! It is not a beautiful scene, but one that mirrors the pictures of pollution and environmental devastation that Ginsberg finds on the West Coast. In the poem, Ginsberg and Kerouac discover a sunflower in a rail yard, however the flower is covered with dirt and soot, and becomes the leading of the work. I think you had no right to forgive the soldier. In line 6 he uses the association of the locomotive as something that is powerful, strong and forever moving forward to reference the objectives of the beats Davis et al.
Use our sample or order a custom written research paper from Paper Masters. In Howl, Ginsberg cites various cities spread throughout the United States. Many of us were thrusted into various lifestyles that forged our own vision of the world. With works such as Howl being said to have ignited the Renaissance of modern poetry in America, Ginsberg distinguishes a style and voice that has been made concrete in the history of American culture and literature. The real meaning of to forgive is to cleanse people of their sins and make them pure again or good as new. We close read and annotated the poem in a whole-class setting.
Constant reference to Howl, the philosophical ideologies that it encompasses and the context in which it was written will be made in order to further emphasise a greater understanding of the said themes. Simon Wiesenthal was born in 1908 in Austria-Hungary which is now part of Ukraine. During his tenure in San Francisco, he discovered congenial artists in North Beach, which thrived at the end of the McCarthy era in outrageous, anticonservative artistic bliss. A perfect beauty of a sunflower! One of William Blakes famous poems was about a sunflower. Contrast Ginsberg's pessimism in Howl with Hart Crane's ecstatic vision of America's greatness in The Bridge. They adopted more liberal ideologies and were influenced by Eastern religion and philosophy, left-wing political agendas, freedom of sexuality and drug use, the romantics, anti-realism and artistic and non-conformist forms of art and expression. In technically powerful lines enlivened with similes, the poet summarizes America's downhill slide.
The holy bums of the Beat poets must do the same. As we read the poem, we tracked the Sunflower's appearance by recording the descriptions on their appropriate place on an illustration of the flower. Thus, the bum was a part of the society that he hated and this fact drove him insane. First we are confronted with the image of something that is once again made to be seen as so out of place, or finding something in a place that one would not expect to find it. Perhaps it is because of the context in which the theme of crisis and recovery is discussed as a whole. Here, when using the word, Ginsberg means himself and Kerouac and the other Beat poets. Although he speaks of the symbolic sunflower being misused and devalued by the people that form it, he reminds the sunflower of its true value and is hence asking of the reader to reconsider their actions and help him pave the way to rekindling the lost spark of the sunflower.
Is one speaker more pessimistic than the other? You were never no locomotive, Sunflower, you were a sunflower! The technique that he uses here is brilliant; his style of writing references that of the. Ginsberg uses the sunflower as a symbol for both America and people in general. He is sitting with Jack Kerouac on the dock of a railway station and observing his environment and it is here when he begins to create a depiction of the contrast between the natural and industrial setting. Old friends and admirers exulted that the poet would have loved it. But, as Ginsberg looks at the sunflower he sees both beauty and horror. And you Locomotive, you are a locomotive, forget me not! In the beginning of the poem, a ray of hope is portrayed by Ginsberg in the first few lines.
This section contains 228 words approx. In essence, the speaker presents to the reader those unanswerable questions that neither himself nor him as America are able to answer. In the beat generation, bums were seen to represent a holy people. Just as the sunflower has endured, so we shall endure and just as the sunflower has continued to grow, so we shall continue to grow despite any opposition. Many can relate to what Ginsberg and his friends have been through, also having experienced the same struggles. On a formal level, Ginsberg uses lengthy sentences to resist traditional styles of writing. Ginsberg ends with the beginning of this sermon.
The oily water on the river mirrored the red sky, sun sank on top of final Frisco peaks, no fish in that stream, no hermit in those mounts, just ourselves rheumy-eyed and hungover like old bums on the riverbank, tired and wily. You were never no locomotive, Sunflower, you were a sunflower! Here we are given an image of the beats that does not just represent a group of misfits and outcasts who are overindulgent and ignorant, but rather as a group of prophets who long to turn America and its people back on track to realising the inherent potential that the land and they possess. Not everyone can forgive others. Ginsberg makes a strong statement where he proclaims the sorrow of man losing his identity in the false pursuit of a perverse American dream. End your research paper worries in less than 5 Minutes! The only water on the river mirrored the red sky, sun sank on top of final Frisco peaks, no fish in that stream, no hermit in those mounts, just ourselves rheumy-eyed and hung-over like old bums on the riverbank, tired and wily. He later speaks of the tarnished modern life values in the American society such as freedom of expression, progressive political and social thought- all that direct towards the inner form of beauty of this poem.